Perancangan Desain Grafis Ruang Pamer Museum Kota Bandung
Abstract
Saat ini, museum telah diakui sebagai salah satu sarana pendidikan lewat pemberian pengalaman yang menyenangkan (leisure experiences). Sejalan dengan itu, terdapat usaha untuk terus meningkatkan ketertarikan pengunjung terhadap museum. Desain grafis dalam hal ini merupakan salah satu alat untuk menarik minat pengujung dan memudahkan penyampaian informasi museum. Penelitian dimaksudkan untuk menganalisis sejauh mana prinsip desain grafis telah diterapkan pada ruang pamer Museum Kota Bandung guna menghasilkan akses informasi yang efektif kepada pengunjung. Pendekatan kualitatif digunakan dalam penelitian ini, yaitu lewat : (a) wawancara dengan pengelola museum dan perancang desain; (b) analisis literatur; dan (c) analisis deskripsi visual atas rancangan desain grafis yang ada. Diharapkan penelitian ini bisa menghasilkan pemahaman lebih lanjut terkait aspek desain grafis yang sangat berpengaruh pada kesuksesan sebuah museum.
References
[2] Ciolfi, L., Bannon, L., Learning from Museum Visits: Shaping Design Sensitivities. Technical Report, IDC-University of Limerick, April 2002.
[3] Ciolfi, L., Bannon, L. and Fernstrm, M., Envisioning and Evaluating Out-of-Storage Solutions, Proceedings of ICHIM01- International Cultural Heritage Informatics Meeting. Philadelphia: Archives and Museum Informatics., 2001
[4] Hooper-Greenhill, E. , Museums and the Shaping of Knowledge. London: Routledge., 1992
[5] Hooper-Greenhill, E. , Museums and Their Visitors. London: Routledge Publisher, 1994
[6] Tinarbuko, Sumbo., Semiotika Komunikasi Visual. Yogtakarta: Jalasutra., 2008
[7] Hass, Alex, Et. All., Graphic Design And Print Production Fundamentals. Brithis Columbia : Graphic Communications Open Textbook Collective, 2012
[8] Rune Petterson. , Graphic Design. Tullinge : International Institute for Information Design., 2015
[9] Maure, Marc., The Exhibition As Theatre - On The Staging Of Museum Objects. Nordisk Museologi. , 1995
[10] Lin, Chunghung.,Mapping the Design Criterion Framework for Museum Exhibition Design Project. In: Undisciplined Design Research Society Conference 2008, Sheffield Hallam University, Sheffield, UK, 16-19 July 2008.
[11] Belcher, M., Exhibitions in Museums. Leicester: Leicester University Press, 1991
[12] Zeisel, J., Inquiry by design: Environment/behavior/neuroscience in architecture, interiors, landscape and planning. New York: W.W. Norton and Company, Inc., 2006
[13] Lallana, F., Diseño y color infográfico. Revista Latina de Comunicación Social(13). 1999.
[14] Valero, S., La infografÃa: técnicas, análisis y usos periodÃsticos (Vol. 9): Universitat de València., 2001
[15] Carliner, Saul, Modeling Information for Three-dimensional Space: Lessons Learned from Museum Exhibit Design. Technical Communication Volume 48, Number 1., 2001
[16] Ballantine, P. W., Jack, R., & Parsons, A. G., Atmospheric cues and their effect on the hedonic retail experience. International Journal of Retail & Distribution Management., 2010
[17] Gelderman, Maarten., Fonts: Background A Short Introduction To Font Characteristics. Jurnal MAPS 22., 1998
[18] Moret-Tatay, C., & Perea, M., Do serifs provide an advantage in the recognition of written words?. Journal of Cognitive Psychology, 2011
[19] Cook, Alton., Type & Color: A Handbook of Creative Combinations. Washington : Rockport Pub., 1989
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
